Deutsch
Français
Español
Italiano
Português
中文
日本語
Русский
Türkçe
SicarioAi.App Open To BETA TESTERS
Duration: 2:30
Views: 1
Submitted: 1 hour ago
Submitted by:
Description:
So this is where select individuals from all over the World will be the lucky few to get a free premium domain and absolutely free access to cutting edge SicarioAi.app platform as reward for being BETA testers and will retain free access for as long as they wish to be SicarioAi.App BETA Program Members. One of the EXCLUSIVE PERKS is direct communication line to me and if they ever get stumped with their project, ABSOLUTE SECRET GOD OF COMPUTER SCIENCE will PERSONALLY engineer a solution to whatever issue they are contending with, any size project..
Cannot signup using VPN, Proxy/ Tor Exit Node, no bullshitters allowed! No IT savvy needed, you could be 90 years FREAQIN old, it don’t matter for BETA! The purpose of it is to to make the site user friendly even to old and elderly, not for you to have a computer science degree! That’s not how my BETA works… Unlike all other software engineers, I begin with user friendly UI — and then engineer the back end second and that’s to make all my platforms accessible to all — not just some few idiots with fuckin degrees hot enuf to burn in hell!
Also; I am looking for unsigned independent Artists to signup with my new Record label, you will get free access to SicarioAi, Free Publicist, Free Songwriter, and yes you lucky bastards, that is me, I write somgs in several major languages and compose incredible music, all originals! You will simply upload your bare vocals so I could HEAR your voice and then based on your voice type and being a musical GENIUS, I will assume that YOU are a musical newbie but have within you PASSION for music. I choose passionate individuals over stage pro’s who lack passion on any given DAY! So, to navigate your vocal types, I am detail driven and SUPER ORGANIZED and a consummate multi tasker so here are some musicians from across different genres broken down by voice type which I've included to navigate you and set some classical examples strictly for your reference alongside the popular musicians my rightful presumption being — regardless of your age, that you will know at least one of these;
Female Voices;
Soprano (Highest Range): Classical- Maria Callas, Leontyne Price; Pop/R&B- Mariah Carey, Ariana Grande, Whitney Houston; Country- Dolly Parton; Pop- Celine Dion, Christina Aguilera, Julie Andrews.
Mezzo-Soprano (Middle Range): Pop- Beyoncé, Lady Gaga, Madonna, Adele; R&B- Whitney Houston, Chaka Khan; Rock- Sheryl Crow, Janis Joplin.
Alto / Contralto (Lowest Range): Genres- Annie Lennox, Patsy Cline, Amy Winehouse, Nina Simone, Etta James, K.D. Lang.
And NEXT Male Voices;
Countertenor (Highest Male Range): Classical-/Classical crossover performers such as Andreas Scholl, Philippe Jaroussky, and pop singer-songwriter Jamie Hannah. In R&B/Pop, acts like the Bee Gees, Smokey Robinson, Tevin Campbell, and Bruno Mars often use falsetto extensively, placing them in this category.
Tenor (High Male Range): Pop/Rock- Freddie Mercury, Michael Jackson, Stevie Wonder; Rock- Bruce Dickinson, Rob Halford, Jeff Buckley; Pop- Paul McCartney, Sting, Sam Smith, Billie Joe Armstrong.
Baritone (Middle Male Range): Genres- Elvis Presley, Frank Sinatra, John Legend; Rock/Metal- Axl Rose, James Hetfield; Jazz/Pop- Michael Bublé; Folk/Country- Jim Reeves, late man in duh black — Johnny Cash…
Bass (Lowest Male Range): Rock/Country- Johnny Cash, Barry White, Bing Crosby; Metal- Peter Steele, Tom Englund.
Some voices are hard to categorize exactly, but this gives you a great starting point. There is NO AGE LIKIT, this is not a shit-show AGT! If you like to sing, and have even a half assed voice, I will produce ONLY EVERYTHING FOR YOU! And if you are shy, that’s fine too, get on the stage and stare at the fuckin wall with you back facing audience! I don’t give a rats ass what thinks! If you are in throws of narcotics addiction, for your own good, I will place you into a great program which boasts 80% recidivism rate and when you come out drug free, I’ll take you under my wing…
You could even start as a BETA tester, ABSOLUTELY FREE — and you see that this is the real deal without any monkey biz!
Here is my actual record contract so you can know beforehand what you are getting, and what you are NOT! But you get the God of Music on your side to give you a 15 minute FAME LIFETIME RIDE!
I’m a be generating mucho revenues with a numbers of platforms and ‘am willing to give talented artists a yuge CA$H ADVANCE, but read my actual recording contract below cause with me, THERE IS NO GAMES! I will give you a huge cash advance, but retention of master recordings ownership is my insurance, get it?
RECORDING CONTRACT
BETWEEN
WARRIOR MEDIA LLC (MONTANA)
AND
[YOUR ARTIST LEGAL NAME]
Date: _____________, 202
This Recording Agreement (the "Agreement") is made and entered into as of the date above by and between WARRIOR MEDIA LLC, a limited liability company organized under the laws of the State of Montana ("Company"), and [ARTIST LEGAL NAME] ("Artist"). The Company and Artist are each referred to herein as a "Party" and collectively as the "Parties."
1. RECITALS
WHEREAS, Artist is a musical performer and recording artist; and
WHEREAS, Company is engaged in the business of producing, manufacturing, distributing, selling, and licensing sound recordings; and
WHEREAS, Artist desires to render exclusive recording services to Company, and Company desires to engage Artist's services, on the terms and conditions set forth below.
NOW, THEREFORE, in consideration of the foregoing and the mutual promises set forth herein, the Parties agree as follows:
1. DEFINITIONS
2.1 "Master" or "Master Recording" means any and all recordings of sound, however and whenever fixed, that embody one or more musical performances by Artist, in any now-known or hereafter developed form or technology, including but not limited to all takes, mixes, versions, alternate takes, and incomplete recordings.
2.2 "Composition" means the musical work (including lyrics) embodied in a Master, as distinguished from the Master itself.
2.3 "Recording Fund" means the aggregate amount advanced by Company to cover recording costs, including but not limited to studio fees, engineer fees, producer fees, musician fees, mixing and mastering costs, and any other costs directly related to the production of Masters.
2.4 "Territory" means the universe (worldwide).
2.5 "Net Sales" means gross revenue received by Company from sales or other exploitation of Masters, minus deductions for: (a) packaging costs; (b) container and handling charges; (c) taxes; (d) actual returns, credits, and bad debts; (e) third-party distribution fees; (f) royalties payable to third-party artists, producers, or licensors; and (g) any other customary industry deductions.
2.6 "Affiliate" means any person or entity that directly or indirectly controls, is controlled by, or is under common control with Company. For purposes of this definition, "control" means ownership of more than fifty percent (50%) of the voting securities or other ownership interest of the entity in question.
2.7 "Sister Company" means any business entity that is controlled by or under common control with Company, including but not limited to any parent corporation and any entity that directly or indirectly through one or more intermediaries is controlled by Company or shares common ownership or control with Company, regardless of the jurisdiction of formation.
1. EXCLUSIVE RECORDING SERVICES
Artist agrees to render exclusive, full-time recording services to Company throughout the Term (defined below). Artist shall not, without Company's prior written consent, perform or record for any other person, firm, or corporation; nor shall Artist authorize the use of Artist's name, likeness, or biographical material in connection with any advertisement or other commercial enterprise without Company's prior written consent.
1. OBLIGATIONS OF COMPANY
Company agrees to use reasonable, diligent, and good-faith efforts to manufacture, distribute, exploit, and otherwise deal with the Masters throughout the Territory at Company's sole cost and expense. Company shall have sole and exclusive control over all decisions regarding the marketing, promotion, distribution, pricing, and licensing of the Masters.
1. ADVANCE AND RECORDING FUND
5.1 Advance. Company shall pay Artist an advance (the "Advance") in the amount of $______ per [album/single], payable upon execution of this Agreement. The Advance is fully recoupable from any and all royalties payable to Artist hereunder.
5.2 Recording Fund. Company shall provide a Recording Fund (the "Recording Fund") in the amount of $______ per [album/single], payable to Artist or directly to third-party vendors designated by Artist, for the purpose of covering recording costs. The Recording Fund is fully recoupable from any and all royalties payable to Artist hereunder, even if such costs exceed the amount budgeted.
5.3 Recoupment of All Costs. Company shall recoup all costs and expenses incurred in connection with the production, manufacture, distribution, marketing, promotion, and exploitation of the Masters, including but not limited to:
(a) the Advance and Recording Fund;
(b) all recording costs, including producer royalties, mixing, and mastering;
(c) video production costs;
(d) third-party sample clearance fees;
(e) tour support;
(f) independent radio promotion costs;
(g) legal and accounting fees; and
(h) any other costs or expenses deemed recoupable in Company's discretion.
All such costs shall be recouped exclusively from Artist's royalty account and shall not be recouped from producer royalties or publishing income unless otherwise agreed in writing. Company may cross-collateralize recoupment against all Masters, all sources of income, and all territories. Artist shall receive no royalties whatsoever until Company has recouped all such costs in full.
1. OWNERSHIP OF MASTERS
6.1 Work for Hire. All Masters recorded by Artist during the Term, including all takes, mixes, versions, and unfinished recordings, shall be considered "works made for hire" for Company within the meaning of the United States Copyright Act of 1976, as amended, and Company shall be the sole and exclusive owner of all rights, title, and interest in and to such Masters throughout the Territory in perpetuity. To the extent any Master is not considered a work made for hire, Artist hereby irrevocably assigns and transfers to Company all rights, title, and interest in and to such Master.
6.2 Exclusive License. Artist agrees that Company has the exclusive right throughout the Territory to manufacture, advertise, sell, distribute, lease, license, and otherwise exploit the Masters or any portion thereof, by any and all means, now known or hereafter devised, throughout the universe in perpetuity.
6.3 Moral Rights. To the extent permitted by law, Artist waives any so-called "moral rights" or "droit moral" in and to the Masters.
6.4 Retention of Publishing. Notwithstanding the foregoing, Artist retains one hundred percent (100%) ownership and control of the underlying musical Compositions (the publishing rights), subject to any contrary agreement between Artist and any co-writer or publisher. Nothing in this Section 6.4 shall be construed to grant Company any rights to Artist's Composition copyrights.
1. ROYALTIES
7.1 Royalty Rate. Company shall pay Artist a royalty (the "Royalty") equal to [fifteen percent (15%) to twenty-five percent (25%)] of Net Sales, subject to the recoupment provisions of Section 5.
7.2 Reduced Royalties. Notwithstanding the foregoing, the Royalty shall be reduced:
(a) for sales through clubs, budget lines, or other special markets: fifty percent (50%) of the otherwise applicable rate;
(b) for sales of records sold at less than standard retail prices: fifty percent (50%) of the otherwise applicable rate; and
(c) for Masters exploited in the so-called "public domain" or similar "gray market" areas: fifty percent (50%) of the otherwise applicable rate.
7.3 Containers. No Royalty shall be payable for any records given away as promotional or demonstration copies, or for records returned to Company as unsold merchandise. No Royalty shall be payable for records sold on a "no-charge" or "royalty-free" basis.
7.4 Streaming and New Technologies. For exploitation of Masters via digital phonorecord deliveries (including permanent digital downloads, limited downloads, and interactive streaming), the Royalty shall be calculated as follows: Net Sales from such exploitation shall be calculated as the aggregate amount received by Company, less any third-party distribution fees and taxes, and Artist's Royalty shall be calculated on such Net Sales.
1. ACCOUNTING AND PAYMENT
8.1 Statements. Company shall render semi-annual royalty statements to Artist, within ninety (90) days after each semi-annual period ending June 30 and December 31. Each royalty statement shall set forth the calculation of royalties accrued and paid during that period.
8.2 Payment. Royalties due to Artist shall be paid simultaneously with delivery of each royalty statement. Artist acknowledges that no royalties shall be payable until Company has fully recouped all advances, recording costs, and other recoupable expenses set forth in Section 5.
8.3 Audit Rights. Artist may, at Artist's sole cost and expense, no more than once per calendar year, upon thirty (30) days' prior written notice to Company, cause a certified public accountant to inspect Company's records relating to this Agreement. Any such inspection shall take place during regular business hours at Company's principal place of business. In the event that such inspection reveals an underpayment of more than five percent (5%), Company shall pay the cost of the inspection and interest on the underpayment at the rate of one percent (1%) per month.
1. REPRESENTATIONS AND WARRANTIES
Artist represents and warrants that: (a) Artist has the full right, power, and authority to enter into this Agreement and to grant the rights granted herein; (b) Artist has not previously granted and will not grant any rights inconsistent with the rights granted to Company herein; (c) the Masters and the Compositions embodied therein are original works and do not infringe upon or violate any copyright, trademark, right of publicity or privacy, or any other right of any third party; (d) Artist has obtained all necessary licenses and clearances for any third-party materials incorporated into the Masters; and (e) Artist has not signed any other agreement that would conflict with this Agreement.
Artist agrees to indemnify, defend, and hold harmless Company, its officers, directors, employees, agents, successors, and assigns from and against any and all claims, damages, liabilities, costs, and expenses (including reasonable attorneys' fees) arising out of or related to any breach of any representation or warranty made by Artist herein.
1. TERM AND OPTIONS
10.1 Initial Term. The initial term of this Agreement shall be for a period of [______] months commencing on the date of this Agreement (the "Initial Term").
10.2 Option Periods. Company shall have the option to extend this Agreement for [number] additional periods (each an "Option Period"), each of [duration] months. Company may exercise each option by giving written notice to Artist no later than [______] days prior to the expiration of the then-current term.
10.3 Delivery Requirements. During each option period, Artist shall deliver to Company at least [number] Masters, which shall be commercially satisfactory, suitable for release, and of a quality consistent with the highest professional standards in the music industry.
1. TERMINATION
11.1 Termination by Company for Cause. Company may terminate this Agreement immediately upon written notice to Artist if Artist: (a) breaches any material term or condition of this Agreement and fails to cure such breach within thirty (30) days after receiving written notice thereof; (b) is convicted of a felony or any crime involving moral turpitude; (c) becomes unable to perform Artist's obligations hereunder due to drug or alcohol abuse; or (d) makes any public statement that materially disparages Company or its officers, employees, or business partners.
11.2 Effect of Termination. Upon termination of this Agreement for any reason, Company shall retain all rights granted herein with respect to Masters delivered prior to the effective date of termination. Company shall have no obligation to release any unreleased Masters, but may do so in Company's sole discretion.
1. GRANDFATHER CLAUSE AND SISTER COMPANY ASSIGNMENT
12.1 Assignment to Sister Company. Company shall have the absolute right, without Artist's further consent, to assign, transfer, delegate, or otherwise convey this Agreement in whole or in part to any Sister Company (including any company formed in the Republic of Serbia) at any time during the Term, including upon Company's election to grandfather this Agreement to such Sister Company. Artist acknowledges and agrees that:
(a) Company may elect to treat this Agreement as "grandfathered" to any Sister Company, meaning that all terms, conditions, rights, and obligations of this Agreement shall continue in full force and effect as if originally entered into between Artist and such Sister Company, with no modification other than the identity of the contracting party.
(b) The transfer or grandfathering of this Agreement to a Sister Company shall not require any renegotiation of royalty rates, advances, or any other term of this Agreement.
(c) Company shall be permitted to select and change which Sister Company is the counterparty to this Agreement from time to time without Artist's consent and without prior notice to Artist.
12.2 Notice to Artist. In the event Company elects to grandfather this Agreement to a Sister Company located in the Republic of Serbia, Company shall provide Artist with written notice of such assignment. Such notice shall identify the Sister Company, its address, and the effective date of the grandfathering. Company is not required to provide any further documentation, license, or approval from the Republic of Serbia or any jurisdiction thereof.
12.3 Liability of Initial Company. Following any assignment to a Sister Company, the assigning Company remains jointly and severally liable for the performance of any assigned obligations occurring prior to such assignment, but shall have no liability for any obligations arising after the effective date of assignment, provided that the assignee Sister Company assumes in writing all such obligations. Without limiting the foregoing, Company shall have the right to a complete release from all obligations under this Agreement upon a valid assignment to a Sister Company, provided such Sister Company is of sound financial standing and assumes the liabilities in writing. Artist agrees to execute any documents reasonably requested to effectuate such release.
12.4 Definition of Sister Company in Grandfather Context. For the avoidance of doubt, Company shall have the right to grandfather this Agreement to any entity in which Company has a direct or indirect ownership interest, regardless of whether such entity is formed or located in the Republic of Serbia or any other jurisdiction, and regardless of whether such entity exists as of the date of this Agreement. Artist agrees that the term "Sister Company," for purposes of this Section 12, includes any entity that may be formed or acquired after the execution of this Agreement.
12.5 Effect Under Serbian Law. Artist acknowledges that the Republic of Serbia recognizes the validity of contracts for the transfer of rights in copyright works and phonograms under its Law on Copyright and Related Rights (Zakon o autorskim i srodnim pravima). This Agreement shall not be void or unenforceable solely by virtue of the fact that the governing law is the law of the State of Montana or that the substantive law of the Republic of Serbia may differ. The assignment of this Agreement to a Serbian Sister Company does not alter the governing law provision set forth in Section 13.
12.6 No Consent Required. Artist hereby waives any right to consent or approve any such grandfathering to a Sister Company, including a Serbian Sister Company. Artist shall not, under any circumstances, be entitled to any additional compensation, royalty increase, or other consideration as a result of such assignment.
1. GOVERNING LAW AND DISPUTE RESOLUTION
13.1 Governing Law. This Agreement shall be governed by and construed in accordance with the laws of the State of Montana, without regard to its conflict of laws principles. For the avoidance of doubt, the substantive law of the Republic of Serbia shall not govern this Agreement even if the Agreement is assigned or grandfathered to Sister Company in the Republic of Serbia.
13.2 Arbitration. Any dispute arising out of or relating to this Agreement shall be resolved by binding arbitration in accordance with the Commercial Arbitration Rules of the American Arbitration Association. The arbitration shall take place in [City, County, Montana], and judgment upon the award rendered by the arbitrator may be entered in any court having jurisdiction thereof. Notwithstanding the foregoing, Company shall be entitled to seek injunctive relief in any court of competent jurisdiction to protect its rights in the Masters.
1. GENERAL PROVISIONS
14.1 Entire Agreement. This Agreement constitutes the entire agreement between the Parties with respect to the subject matter hereof and supersedes all prior agreements, understandings, negotiations, and discussions, whether written or oral.
14.2 Amendment. This Agreement may not be modified or amended except by a written instrument signed by both Parties.
14.3 Waiver. No waiver of any term or condition of this Agreement shall be effective unless in writing and signed by the waiving Party. No failure or delay in exercising any right, power, or privilege under this Agreement shall operate as a waiver thereof.
14.4 Severability. If any provision of this Agreement is found to be invalid, illegal, or unenforceable, the remaining provisions shall continue in full force and effect, and the invalid provision shall be reformed and construed to the maximum extent permitted by law to achieve the original intent of the Parties.
14.5 Notice. All notices required or permitted under this Agreement shall be in writing and shall be deemed to have been duly given upon personal delivery; upon the third calendar day after deposit in the United States mail, postage prepaid, certified or registered mail, return receipt requested; or upon transmission by email (provided that a hard copy is also sent by mail within five (5) days thereafter). Notices shall be addressed as follows:
If to Company:
Warrior Media LLC
If to Artist:
[Your Artist Name]
[Your Street Address]
[City, State, Zip Code]
Attention: [Your Artist Name]
Email: [Your Email Address]
14.6 Counterparts. This Agreement may be executed in one or more counterparts, each of which shall be deemed an original, and all of which together shall constitute one and the same instrument. Facsimile or electronic signatures shall be deemed original signatures for all purposes.
14.7 Force Majeure. Neither Party shall be liable for any failure or delay in performing its obligations under this Agreement if such failure or delay is due to any cause beyond the reasonable control of such Party, including but not limited to acts of God, war, terrorism, riot, embargo, fire, flood, earthquake, epidemic, pandemic, or labor dispute (other than a labor dispute involving that Party solely). In the event of any such delay, the time for performance shall be extended for a period equal to the duration of the force majeure condition.
14.8 No Partnership. Nothing in this Agreement shall be construed to create a partnership, joint venture, or employment relationship between Company and Artist. Artist is an independent contractor.
14.9 Headings. The section and subsection headings used in this Agreement are for convenience only and shall not affect the interpretation of this Agreement.
14.10 Successors and Assigns. This Agreement shall be binding upon and inure to the benefit of the Parties and their respective successors, heirs, personal representatives, and permitted assigns.
IN WITNESS WHEREOF, the Parties have executed this Agreement as of the date first set forth above.
WARRIOR MEDIA LLC
By: _________________________
Name: _______________________
Title: ________________________
ARTIST
By: _________________________
Name: _______________________
Date: ________________________
========================================
EXHIBIT A: SCHEDULE OF MASTERS
========================================
The following Masters are subject to this Agreement. List each track with its details:
Track Number: 1
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 2
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 3
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 4
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 5
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 6
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 7
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 8
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 9
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 10
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
(Add additional rows as needed.)
========================================
EXHIBIT B: RECOUPABLE COST SCHEDULE
========================================
The following is a non-exhaustive list of costs that Company may deem recoupable:
Category: Recording Costs
Estimated Amount: $_______________
Category: Producer Royalties
Estimated Amount: $_______________
Category: Mixing and Mastering
Estimated Amount: $_______________
Category: Music Video Production
Estimated Amount: $_______________
Category: Marketing and Promotion
Estimated Amount: $_______________
Category: Independent Radio Promotion
Estimated Amount: $_______________
Category: Tour Support
Estimated Amount: $_______________
Category: Legal and Accounting
Estimated Amount: $_______________
Category: Third-Party Sample Clearances
Estimated Amount: $_______________
Category: Other (specify)
Estimated Amount: $_______________
TOTAL RECOUPABLE COSTS: $_______________
So in case that’chuh missed it, I made it crystal clear under this contract, that my company Warrior Media LLC (the record company) owns all master recordings exclusively and in perpetuity.
Ownership: Section 6.1 states that all Masters are “works made for hire” for the Company, making the Company the sole owner. If any Master isn’t legally a work for hire, the Artist irrevocably assigns all rights to the Company…
Duration: The ownership lasts “in perpetuity” (forever) – specifically stated in Sections 6.1 (“throughout the Territory in perpetuity”) and 6.2 (“throughout the universe in perpetuity”).
Even after the term ends or your contract is terminated, my Company keeps full ownership of all Masters delivered during the agreement (see Section 11.2). There is no reversion of rights to you the Artist. But for that, if you are really talented, I may even TO$$ into your lap a MILLION DOLLAR$! Entity in Serbia might come into play if operations in USA become less conducive to business due to idiocy proceeding forth from Donald J. Gump, but even if, grandfather clause to a Serbian sister entity will not effect my record company operations in the slightest, just operations HQ’s will be for the time being, removed from U.S. jurisdiction where federal g-fags stalkers and cubts pull ALL THE WEIGHT, to where they pull NO FUCKIN WEIGHT, dig? I roll with the punches…
As far as the actual launch date of this venture of mine, my record company will hit the ground RUNNING second my software ventures are firing on all cylinders so stay TUNED to this site I own which I make use of to announce Venture launch!
Meanwhile, take some voice lessons for goodness sakes and learn some FREAQIN dance moves cause it’s called SHOW BUSINESS FOR A FREAQIN REASON — dig! Take an old guitar and start singing on the streets, it’s a great way to LEARN the craft cause you turn pedestrians into your MUSIC BETA TESTERS! You will get honest instant feedback! That’s how I started and perfected my music.. I sucked ass at first and then, by virtue of feedback, learned to MOVE PEOPLE with my original music.. Majority of new artists sing other peoples stuff… I never performed anywhere using other peoples material but I have a huuuuuuge repertoire so I don’t need to! But if you do, that’s okay, for now, so you get some experience under your belt…
I do music for the LOVE of this art, it is a powerful medium through which you can move thousands of people who share your zest for life, freedom, justice, and betterment of humanity. Meanwhile, BACK TO BETA to get the ball roll’n before I open my platform SicarioAi.app — to all!
Stateless Warrior
Cannot signup using VPN, Proxy/ Tor Exit Node, no bullshitters allowed! No IT savvy needed, you could be 90 years FREAQIN old, it don’t matter for BETA! The purpose of it is to to make the site user friendly even to old and elderly, not for you to have a computer science degree! That’s not how my BETA works… Unlike all other software engineers, I begin with user friendly UI — and then engineer the back end second and that’s to make all my platforms accessible to all — not just some few idiots with fuckin degrees hot enuf to burn in hell!
Also; I am looking for unsigned independent Artists to signup with my new Record label, you will get free access to SicarioAi, Free Publicist, Free Songwriter, and yes you lucky bastards, that is me, I write somgs in several major languages and compose incredible music, all originals! You will simply upload your bare vocals so I could HEAR your voice and then based on your voice type and being a musical GENIUS, I will assume that YOU are a musical newbie but have within you PASSION for music. I choose passionate individuals over stage pro’s who lack passion on any given DAY! So, to navigate your vocal types, I am detail driven and SUPER ORGANIZED and a consummate multi tasker so here are some musicians from across different genres broken down by voice type which I've included to navigate you and set some classical examples strictly for your reference alongside the popular musicians my rightful presumption being — regardless of your age, that you will know at least one of these;
Female Voices;
Soprano (Highest Range): Classical- Maria Callas, Leontyne Price; Pop/R&B- Mariah Carey, Ariana Grande, Whitney Houston; Country- Dolly Parton; Pop- Celine Dion, Christina Aguilera, Julie Andrews.
Mezzo-Soprano (Middle Range): Pop- Beyoncé, Lady Gaga, Madonna, Adele; R&B- Whitney Houston, Chaka Khan; Rock- Sheryl Crow, Janis Joplin.
Alto / Contralto (Lowest Range): Genres- Annie Lennox, Patsy Cline, Amy Winehouse, Nina Simone, Etta James, K.D. Lang.
And NEXT Male Voices;
Countertenor (Highest Male Range): Classical-/Classical crossover performers such as Andreas Scholl, Philippe Jaroussky, and pop singer-songwriter Jamie Hannah. In R&B/Pop, acts like the Bee Gees, Smokey Robinson, Tevin Campbell, and Bruno Mars often use falsetto extensively, placing them in this category.
Tenor (High Male Range): Pop/Rock- Freddie Mercury, Michael Jackson, Stevie Wonder; Rock- Bruce Dickinson, Rob Halford, Jeff Buckley; Pop- Paul McCartney, Sting, Sam Smith, Billie Joe Armstrong.
Baritone (Middle Male Range): Genres- Elvis Presley, Frank Sinatra, John Legend; Rock/Metal- Axl Rose, James Hetfield; Jazz/Pop- Michael Bublé; Folk/Country- Jim Reeves, late man in duh black — Johnny Cash…
Bass (Lowest Male Range): Rock/Country- Johnny Cash, Barry White, Bing Crosby; Metal- Peter Steele, Tom Englund.
Some voices are hard to categorize exactly, but this gives you a great starting point. There is NO AGE LIKIT, this is not a shit-show AGT! If you like to sing, and have even a half assed voice, I will produce ONLY EVERYTHING FOR YOU! And if you are shy, that’s fine too, get on the stage and stare at the fuckin wall with you back facing audience! I don’t give a rats ass what thinks! If you are in throws of narcotics addiction, for your own good, I will place you into a great program which boasts 80% recidivism rate and when you come out drug free, I’ll take you under my wing…
You could even start as a BETA tester, ABSOLUTELY FREE — and you see that this is the real deal without any monkey biz!
Here is my actual record contract so you can know beforehand what you are getting, and what you are NOT! But you get the God of Music on your side to give you a 15 minute FAME LIFETIME RIDE!
I’m a be generating mucho revenues with a numbers of platforms and ‘am willing to give talented artists a yuge CA$H ADVANCE, but read my actual recording contract below cause with me, THERE IS NO GAMES! I will give you a huge cash advance, but retention of master recordings ownership is my insurance, get it?
RECORDING CONTRACT
BETWEEN
WARRIOR MEDIA LLC (MONTANA)
AND
[YOUR ARTIST LEGAL NAME]
Date: _____________, 202
This Recording Agreement (the "Agreement") is made and entered into as of the date above by and between WARRIOR MEDIA LLC, a limited liability company organized under the laws of the State of Montana ("Company"), and [ARTIST LEGAL NAME] ("Artist"). The Company and Artist are each referred to herein as a "Party" and collectively as the "Parties."
1. RECITALS
WHEREAS, Artist is a musical performer and recording artist; and
WHEREAS, Company is engaged in the business of producing, manufacturing, distributing, selling, and licensing sound recordings; and
WHEREAS, Artist desires to render exclusive recording services to Company, and Company desires to engage Artist's services, on the terms and conditions set forth below.
NOW, THEREFORE, in consideration of the foregoing and the mutual promises set forth herein, the Parties agree as follows:
1. DEFINITIONS
2.1 "Master" or "Master Recording" means any and all recordings of sound, however and whenever fixed, that embody one or more musical performances by Artist, in any now-known or hereafter developed form or technology, including but not limited to all takes, mixes, versions, alternate takes, and incomplete recordings.
2.2 "Composition" means the musical work (including lyrics) embodied in a Master, as distinguished from the Master itself.
2.3 "Recording Fund" means the aggregate amount advanced by Company to cover recording costs, including but not limited to studio fees, engineer fees, producer fees, musician fees, mixing and mastering costs, and any other costs directly related to the production of Masters.
2.4 "Territory" means the universe (worldwide).
2.5 "Net Sales" means gross revenue received by Company from sales or other exploitation of Masters, minus deductions for: (a) packaging costs; (b) container and handling charges; (c) taxes; (d) actual returns, credits, and bad debts; (e) third-party distribution fees; (f) royalties payable to third-party artists, producers, or licensors; and (g) any other customary industry deductions.
2.6 "Affiliate" means any person or entity that directly or indirectly controls, is controlled by, or is under common control with Company. For purposes of this definition, "control" means ownership of more than fifty percent (50%) of the voting securities or other ownership interest of the entity in question.
2.7 "Sister Company" means any business entity that is controlled by or under common control with Company, including but not limited to any parent corporation and any entity that directly or indirectly through one or more intermediaries is controlled by Company or shares common ownership or control with Company, regardless of the jurisdiction of formation.
1. EXCLUSIVE RECORDING SERVICES
Artist agrees to render exclusive, full-time recording services to Company throughout the Term (defined below). Artist shall not, without Company's prior written consent, perform or record for any other person, firm, or corporation; nor shall Artist authorize the use of Artist's name, likeness, or biographical material in connection with any advertisement or other commercial enterprise without Company's prior written consent.
1. OBLIGATIONS OF COMPANY
Company agrees to use reasonable, diligent, and good-faith efforts to manufacture, distribute, exploit, and otherwise deal with the Masters throughout the Territory at Company's sole cost and expense. Company shall have sole and exclusive control over all decisions regarding the marketing, promotion, distribution, pricing, and licensing of the Masters.
1. ADVANCE AND RECORDING FUND
5.1 Advance. Company shall pay Artist an advance (the "Advance") in the amount of $______ per [album/single], payable upon execution of this Agreement. The Advance is fully recoupable from any and all royalties payable to Artist hereunder.
5.2 Recording Fund. Company shall provide a Recording Fund (the "Recording Fund") in the amount of $______ per [album/single], payable to Artist or directly to third-party vendors designated by Artist, for the purpose of covering recording costs. The Recording Fund is fully recoupable from any and all royalties payable to Artist hereunder, even if such costs exceed the amount budgeted.
5.3 Recoupment of All Costs. Company shall recoup all costs and expenses incurred in connection with the production, manufacture, distribution, marketing, promotion, and exploitation of the Masters, including but not limited to:
(a) the Advance and Recording Fund;
(b) all recording costs, including producer royalties, mixing, and mastering;
(c) video production costs;
(d) third-party sample clearance fees;
(e) tour support;
(f) independent radio promotion costs;
(g) legal and accounting fees; and
(h) any other costs or expenses deemed recoupable in Company's discretion.
All such costs shall be recouped exclusively from Artist's royalty account and shall not be recouped from producer royalties or publishing income unless otherwise agreed in writing. Company may cross-collateralize recoupment against all Masters, all sources of income, and all territories. Artist shall receive no royalties whatsoever until Company has recouped all such costs in full.
1. OWNERSHIP OF MASTERS
6.1 Work for Hire. All Masters recorded by Artist during the Term, including all takes, mixes, versions, and unfinished recordings, shall be considered "works made for hire" for Company within the meaning of the United States Copyright Act of 1976, as amended, and Company shall be the sole and exclusive owner of all rights, title, and interest in and to such Masters throughout the Territory in perpetuity. To the extent any Master is not considered a work made for hire, Artist hereby irrevocably assigns and transfers to Company all rights, title, and interest in and to such Master.
6.2 Exclusive License. Artist agrees that Company has the exclusive right throughout the Territory to manufacture, advertise, sell, distribute, lease, license, and otherwise exploit the Masters or any portion thereof, by any and all means, now known or hereafter devised, throughout the universe in perpetuity.
6.3 Moral Rights. To the extent permitted by law, Artist waives any so-called "moral rights" or "droit moral" in and to the Masters.
6.4 Retention of Publishing. Notwithstanding the foregoing, Artist retains one hundred percent (100%) ownership and control of the underlying musical Compositions (the publishing rights), subject to any contrary agreement between Artist and any co-writer or publisher. Nothing in this Section 6.4 shall be construed to grant Company any rights to Artist's Composition copyrights.
1. ROYALTIES
7.1 Royalty Rate. Company shall pay Artist a royalty (the "Royalty") equal to [fifteen percent (15%) to twenty-five percent (25%)] of Net Sales, subject to the recoupment provisions of Section 5.
7.2 Reduced Royalties. Notwithstanding the foregoing, the Royalty shall be reduced:
(a) for sales through clubs, budget lines, or other special markets: fifty percent (50%) of the otherwise applicable rate;
(b) for sales of records sold at less than standard retail prices: fifty percent (50%) of the otherwise applicable rate; and
(c) for Masters exploited in the so-called "public domain" or similar "gray market" areas: fifty percent (50%) of the otherwise applicable rate.
7.3 Containers. No Royalty shall be payable for any records given away as promotional or demonstration copies, or for records returned to Company as unsold merchandise. No Royalty shall be payable for records sold on a "no-charge" or "royalty-free" basis.
7.4 Streaming and New Technologies. For exploitation of Masters via digital phonorecord deliveries (including permanent digital downloads, limited downloads, and interactive streaming), the Royalty shall be calculated as follows: Net Sales from such exploitation shall be calculated as the aggregate amount received by Company, less any third-party distribution fees and taxes, and Artist's Royalty shall be calculated on such Net Sales.
1. ACCOUNTING AND PAYMENT
8.1 Statements. Company shall render semi-annual royalty statements to Artist, within ninety (90) days after each semi-annual period ending June 30 and December 31. Each royalty statement shall set forth the calculation of royalties accrued and paid during that period.
8.2 Payment. Royalties due to Artist shall be paid simultaneously with delivery of each royalty statement. Artist acknowledges that no royalties shall be payable until Company has fully recouped all advances, recording costs, and other recoupable expenses set forth in Section 5.
8.3 Audit Rights. Artist may, at Artist's sole cost and expense, no more than once per calendar year, upon thirty (30) days' prior written notice to Company, cause a certified public accountant to inspect Company's records relating to this Agreement. Any such inspection shall take place during regular business hours at Company's principal place of business. In the event that such inspection reveals an underpayment of more than five percent (5%), Company shall pay the cost of the inspection and interest on the underpayment at the rate of one percent (1%) per month.
1. REPRESENTATIONS AND WARRANTIES
Artist represents and warrants that: (a) Artist has the full right, power, and authority to enter into this Agreement and to grant the rights granted herein; (b) Artist has not previously granted and will not grant any rights inconsistent with the rights granted to Company herein; (c) the Masters and the Compositions embodied therein are original works and do not infringe upon or violate any copyright, trademark, right of publicity or privacy, or any other right of any third party; (d) Artist has obtained all necessary licenses and clearances for any third-party materials incorporated into the Masters; and (e) Artist has not signed any other agreement that would conflict with this Agreement.
Artist agrees to indemnify, defend, and hold harmless Company, its officers, directors, employees, agents, successors, and assigns from and against any and all claims, damages, liabilities, costs, and expenses (including reasonable attorneys' fees) arising out of or related to any breach of any representation or warranty made by Artist herein.
1. TERM AND OPTIONS
10.1 Initial Term. The initial term of this Agreement shall be for a period of [______] months commencing on the date of this Agreement (the "Initial Term").
10.2 Option Periods. Company shall have the option to extend this Agreement for [number] additional periods (each an "Option Period"), each of [duration] months. Company may exercise each option by giving written notice to Artist no later than [______] days prior to the expiration of the then-current term.
10.3 Delivery Requirements. During each option period, Artist shall deliver to Company at least [number] Masters, which shall be commercially satisfactory, suitable for release, and of a quality consistent with the highest professional standards in the music industry.
1. TERMINATION
11.1 Termination by Company for Cause. Company may terminate this Agreement immediately upon written notice to Artist if Artist: (a) breaches any material term or condition of this Agreement and fails to cure such breach within thirty (30) days after receiving written notice thereof; (b) is convicted of a felony or any crime involving moral turpitude; (c) becomes unable to perform Artist's obligations hereunder due to drug or alcohol abuse; or (d) makes any public statement that materially disparages Company or its officers, employees, or business partners.
11.2 Effect of Termination. Upon termination of this Agreement for any reason, Company shall retain all rights granted herein with respect to Masters delivered prior to the effective date of termination. Company shall have no obligation to release any unreleased Masters, but may do so in Company's sole discretion.
1. GRANDFATHER CLAUSE AND SISTER COMPANY ASSIGNMENT
12.1 Assignment to Sister Company. Company shall have the absolute right, without Artist's further consent, to assign, transfer, delegate, or otherwise convey this Agreement in whole or in part to any Sister Company (including any company formed in the Republic of Serbia) at any time during the Term, including upon Company's election to grandfather this Agreement to such Sister Company. Artist acknowledges and agrees that:
(a) Company may elect to treat this Agreement as "grandfathered" to any Sister Company, meaning that all terms, conditions, rights, and obligations of this Agreement shall continue in full force and effect as if originally entered into between Artist and such Sister Company, with no modification other than the identity of the contracting party.
(b) The transfer or grandfathering of this Agreement to a Sister Company shall not require any renegotiation of royalty rates, advances, or any other term of this Agreement.
(c) Company shall be permitted to select and change which Sister Company is the counterparty to this Agreement from time to time without Artist's consent and without prior notice to Artist.
12.2 Notice to Artist. In the event Company elects to grandfather this Agreement to a Sister Company located in the Republic of Serbia, Company shall provide Artist with written notice of such assignment. Such notice shall identify the Sister Company, its address, and the effective date of the grandfathering. Company is not required to provide any further documentation, license, or approval from the Republic of Serbia or any jurisdiction thereof.
12.3 Liability of Initial Company. Following any assignment to a Sister Company, the assigning Company remains jointly and severally liable for the performance of any assigned obligations occurring prior to such assignment, but shall have no liability for any obligations arising after the effective date of assignment, provided that the assignee Sister Company assumes in writing all such obligations. Without limiting the foregoing, Company shall have the right to a complete release from all obligations under this Agreement upon a valid assignment to a Sister Company, provided such Sister Company is of sound financial standing and assumes the liabilities in writing. Artist agrees to execute any documents reasonably requested to effectuate such release.
12.4 Definition of Sister Company in Grandfather Context. For the avoidance of doubt, Company shall have the right to grandfather this Agreement to any entity in which Company has a direct or indirect ownership interest, regardless of whether such entity is formed or located in the Republic of Serbia or any other jurisdiction, and regardless of whether such entity exists as of the date of this Agreement. Artist agrees that the term "Sister Company," for purposes of this Section 12, includes any entity that may be formed or acquired after the execution of this Agreement.
12.5 Effect Under Serbian Law. Artist acknowledges that the Republic of Serbia recognizes the validity of contracts for the transfer of rights in copyright works and phonograms under its Law on Copyright and Related Rights (Zakon o autorskim i srodnim pravima). This Agreement shall not be void or unenforceable solely by virtue of the fact that the governing law is the law of the State of Montana or that the substantive law of the Republic of Serbia may differ. The assignment of this Agreement to a Serbian Sister Company does not alter the governing law provision set forth in Section 13.
12.6 No Consent Required. Artist hereby waives any right to consent or approve any such grandfathering to a Sister Company, including a Serbian Sister Company. Artist shall not, under any circumstances, be entitled to any additional compensation, royalty increase, or other consideration as a result of such assignment.
1. GOVERNING LAW AND DISPUTE RESOLUTION
13.1 Governing Law. This Agreement shall be governed by and construed in accordance with the laws of the State of Montana, without regard to its conflict of laws principles. For the avoidance of doubt, the substantive law of the Republic of Serbia shall not govern this Agreement even if the Agreement is assigned or grandfathered to Sister Company in the Republic of Serbia.
13.2 Arbitration. Any dispute arising out of or relating to this Agreement shall be resolved by binding arbitration in accordance with the Commercial Arbitration Rules of the American Arbitration Association. The arbitration shall take place in [City, County, Montana], and judgment upon the award rendered by the arbitrator may be entered in any court having jurisdiction thereof. Notwithstanding the foregoing, Company shall be entitled to seek injunctive relief in any court of competent jurisdiction to protect its rights in the Masters.
1. GENERAL PROVISIONS
14.1 Entire Agreement. This Agreement constitutes the entire agreement between the Parties with respect to the subject matter hereof and supersedes all prior agreements, understandings, negotiations, and discussions, whether written or oral.
14.2 Amendment. This Agreement may not be modified or amended except by a written instrument signed by both Parties.
14.3 Waiver. No waiver of any term or condition of this Agreement shall be effective unless in writing and signed by the waiving Party. No failure or delay in exercising any right, power, or privilege under this Agreement shall operate as a waiver thereof.
14.4 Severability. If any provision of this Agreement is found to be invalid, illegal, or unenforceable, the remaining provisions shall continue in full force and effect, and the invalid provision shall be reformed and construed to the maximum extent permitted by law to achieve the original intent of the Parties.
14.5 Notice. All notices required or permitted under this Agreement shall be in writing and shall be deemed to have been duly given upon personal delivery; upon the third calendar day after deposit in the United States mail, postage prepaid, certified or registered mail, return receipt requested; or upon transmission by email (provided that a hard copy is also sent by mail within five (5) days thereafter). Notices shall be addressed as follows:
If to Company:
Warrior Media LLC
If to Artist:
[Your Artist Name]
[Your Street Address]
[City, State, Zip Code]
Attention: [Your Artist Name]
Email: [Your Email Address]
14.6 Counterparts. This Agreement may be executed in one or more counterparts, each of which shall be deemed an original, and all of which together shall constitute one and the same instrument. Facsimile or electronic signatures shall be deemed original signatures for all purposes.
14.7 Force Majeure. Neither Party shall be liable for any failure or delay in performing its obligations under this Agreement if such failure or delay is due to any cause beyond the reasonable control of such Party, including but not limited to acts of God, war, terrorism, riot, embargo, fire, flood, earthquake, epidemic, pandemic, or labor dispute (other than a labor dispute involving that Party solely). In the event of any such delay, the time for performance shall be extended for a period equal to the duration of the force majeure condition.
14.8 No Partnership. Nothing in this Agreement shall be construed to create a partnership, joint venture, or employment relationship between Company and Artist. Artist is an independent contractor.
14.9 Headings. The section and subsection headings used in this Agreement are for convenience only and shall not affect the interpretation of this Agreement.
14.10 Successors and Assigns. This Agreement shall be binding upon and inure to the benefit of the Parties and their respective successors, heirs, personal representatives, and permitted assigns.
IN WITNESS WHEREOF, the Parties have executed this Agreement as of the date first set forth above.
WARRIOR MEDIA LLC
By: _________________________
Name: _______________________
Title: ________________________
ARTIST
By: _________________________
Name: _______________________
Date: ________________________
========================================
EXHIBIT A: SCHEDULE OF MASTERS
========================================
The following Masters are subject to this Agreement. List each track with its details:
Track Number: 1
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 2
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 3
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 4
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 5
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 6
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 7
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 8
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 9
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
Track Number: 10
Song Title: __________________
Producer(s): _________________
Recording Date: ______________
(Add additional rows as needed.)
========================================
EXHIBIT B: RECOUPABLE COST SCHEDULE
========================================
The following is a non-exhaustive list of costs that Company may deem recoupable:
Category: Recording Costs
Estimated Amount: $_______________
Category: Producer Royalties
Estimated Amount: $_______________
Category: Mixing and Mastering
Estimated Amount: $_______________
Category: Music Video Production
Estimated Amount: $_______________
Category: Marketing and Promotion
Estimated Amount: $_______________
Category: Independent Radio Promotion
Estimated Amount: $_______________
Category: Tour Support
Estimated Amount: $_______________
Category: Legal and Accounting
Estimated Amount: $_______________
Category: Third-Party Sample Clearances
Estimated Amount: $_______________
Category: Other (specify)
Estimated Amount: $_______________
TOTAL RECOUPABLE COSTS: $_______________
So in case that’chuh missed it, I made it crystal clear under this contract, that my company Warrior Media LLC (the record company) owns all master recordings exclusively and in perpetuity.
Ownership: Section 6.1 states that all Masters are “works made for hire” for the Company, making the Company the sole owner. If any Master isn’t legally a work for hire, the Artist irrevocably assigns all rights to the Company…
Duration: The ownership lasts “in perpetuity” (forever) – specifically stated in Sections 6.1 (“throughout the Territory in perpetuity”) and 6.2 (“throughout the universe in perpetuity”).
Even after the term ends or your contract is terminated, my Company keeps full ownership of all Masters delivered during the agreement (see Section 11.2). There is no reversion of rights to you the Artist. But for that, if you are really talented, I may even TO$$ into your lap a MILLION DOLLAR$! Entity in Serbia might come into play if operations in USA become less conducive to business due to idiocy proceeding forth from Donald J. Gump, but even if, grandfather clause to a Serbian sister entity will not effect my record company operations in the slightest, just operations HQ’s will be for the time being, removed from U.S. jurisdiction where federal g-fags stalkers and cubts pull ALL THE WEIGHT, to where they pull NO FUCKIN WEIGHT, dig? I roll with the punches…
As far as the actual launch date of this venture of mine, my record company will hit the ground RUNNING second my software ventures are firing on all cylinders so stay TUNED to this site I own which I make use of to announce Venture launch!
Meanwhile, take some voice lessons for goodness sakes and learn some FREAQIN dance moves cause it’s called SHOW BUSINESS FOR A FREAQIN REASON — dig! Take an old guitar and start singing on the streets, it’s a great way to LEARN the craft cause you turn pedestrians into your MUSIC BETA TESTERS! You will get honest instant feedback! That’s how I started and perfected my music.. I sucked ass at first and then, by virtue of feedback, learned to MOVE PEOPLE with my original music.. Majority of new artists sing other peoples stuff… I never performed anywhere using other peoples material but I have a huuuuuuge repertoire so I don’t need to! But if you do, that’s okay, for now, so you get some experience under your belt…
I do music for the LOVE of this art, it is a powerful medium through which you can move thousands of people who share your zest for life, freedom, justice, and betterment of humanity. Meanwhile, BACK TO BETA to get the ball roll’n before I open my platform SicarioAi.app — to all!
Stateless Warrior
Categories:
People and Blogs
